Wednesday, March 22, 2017

Wekkly spinning... if you start at it, go all the way...

If I will wear a handknitted thighs for teh ball, I can't have shop-bought gloves on my hand, now can I?
Therefore, this is 80 gramm, 430 meters of two ply silk.
(The things that hide in the drawer under my bed...like silk fiber, just because alpaca is not really historically accurate.)

Sunday, March 12, 2017

Debt- Peerie flowers again :-)

Between working on our ball-ensemble, and desparately trying to keep up with work, I've been looking over pictures trying to find something to post about (I don't think another pic of the half-done neverending white sock would suffice), when I realized I only showed you the inside of this hat.
Right after I finished my Ingrid sweater from the lovely Flora yarn, I was pretty high on the love for this yarn, I just had to start something new right away from the leftovers.
  The pattern is Perrie Flowers from Kate Davies, and I can only say, go get it, it is a great pattern.
The had became a Xmas present for my highshcool friend, who is, "incidentally" Christopher's godmother...She told me that she was wearing it on the tram one day, when someone kept looking at her, then approached her and asked if she knit the hat, because it is beautiful... she said "No, I got it from my friend"..."Was it Anett??? because she knits stuff like these..." LOL, when someone recognizes your work on the street...
Pattern: Peerie Flowers
Yarn: DROPS Flora
Needles Knit Pro Signature 3,5 mm.
Pictures: Christopher Laurent Deli

Friday, March 10, 2017

With all I've got... right?

One thing nobody can accuse me... that I do things half-heartedly... So when it comes to a reenactment ball, I am not only making my own (and my friend's) ball gown, complete with a hoopskirt and pettitcoat, but I need underwear and accessories, like someting to wear on my feet, right? And what a knitter is to do, when said knitter is in need in some traditional thighs?
Yes, that is the right answer.



Whether I will be ready in time, or not, is a totally different question.

Wednesday, March 8, 2017

Richie

and Willie...
In 1989, when, after finishing the special technical/vocational school (where I went after graduating from highschool) I started to work as a dressmaker, but I would not sit into a factory lane, or a workshop, I wantedto work from home, in my own rythm, which means sometimes working 20-24 hours in a row, sometimes not even going close to the machine for days (mind you, I work teh same way as a translator)...
The basic requirement of working from home was to get an industrial sewing machine and an industrial serger. As a student just out of shcool, I had no money, and honestly, I did not even knew much of machines)... I could only afford teh ceheapst possible machine with my fathers help, and even then I had to look for the one that costs even less.... He was Willie, a machine produced my Wilcox and Gibbs, and the table on it says teh licemse is from 1939... It was old and rickety when I got it, there weer no spare parts, no spare needles or knives.
I stoll used it a lot over the years, we sew a lot of clothes together, but I always felt...its backdrwas... It worked with an arched needle, which was not produced any longer, shops sometimes ground a tiny bit off teh edge of a different needle for me (but they either managed to cut just the right amount...or not). There were problems with the knives as well, the las one was cut out from a totally different machine's knife...
One of the reasons I avoided sewing for so long (all the while there was an urge in me, I dreamt of making clothes), was that I knew there will be only struggle with this grumpy old machine. Even on the red dress it messed with me, it bunched up the stitches just where it shows the ugliest... I am so sure that in the hands of someone, who loves old machines and knows what s/he is doing Willie could come back into life, or, because of its age, and because it is basically still in working condition) I can even imagine a museum or a collector taking interest in him,... in any case I sent him into retirement.
Everyone: meet Richie.He is the successor of Willie.
I made the decision and seen itthrough in amazingly fast, especially for myself as I tend to mull over a lot more on a lot smaller things, and this involved quite a bit of money as well. It did not hapenned because of the ball gown, as it was in my thoughts/ plans for a while, but I can't say the dress didn't hastened the process :-)
I wanted an industrial grade machine, because I am used to working with one... back in Miami, I had a household serger, and... let me put it this way: I did not liked it much (OK, I hated it. Desparately). Iterestingly enough, Though in that 28 years salaries increased many times over, as did most of teh prices, the amount of money these machine sell didn't changed that much... for about 30-50 000 HUF you could get a cheapo rickety one, like mine was, for about 6-90 000 HUF you could get a medium used, 4 threaded one, and for about 150 000 you could get a really really good one, but those are only needed if you are regurarly sewing things like bathing suits, leotards, and similar stuff, which I will not. So it was an easier decision to get something that is definet improvement over the old one-
I am courious, if working with Richie will be easier, and what will it mean that insted of only three, Richie is capable of handling 4 threads...

Tuesday, March 7, 2017

heti fonós - bloody, umm bleeding red.

In the meanwhile, while we are getting around continiouing the ball gown saga I will show you something from the more usual topics... some spinning, ok?

I spun this red silk from a commercially compbed and comercially dyed red silk top, to use as an accent in weaving...

And just as a reminder, if you think that commercially dyed stuff does not bleed... you are wrong. This bleeds like heck... good that I am planning to use it with something black... ish.

Monday, March 6, 2017

Trial version

We now have the trial version of our dress almost done :-)
There are these "cheapo fabric stores" that sells factory leftovers and those pieces that are less than good quality, usually dirty, missprinted or whatever problem but sometimes there are real treasures to be found there. And I found this otherwise lovely dark red and black pinstriped fabric there, for a lot less than the taffeta we choose for the real dress. Since I haven't actually made a real dressing item in about 15 years I thought it is absolutely necessary to do a trial run, partly to refresh my skills, partly to check the pattern, and partly to work out some methods.
I could have taken a pattern from some book, or pinterest and enlrge it, but This thing is risky enough as it, and I didn't wanted to add another risk-factor, thus, after looking at about a thousand dresses from the era, and decided on the basic shape and style, I headed over to etsy and choose a relatively simple (and not too pricey) pattern we could work with.
Zsófi's presence and help was yet again invaluable. Even if the technical knowledge and skills are mine, I could not have done it without her. This dress is a result of a mutual effort.
It was so exciting to see it come together, to do each step, to figure out just how to things like putting in the boning (something I never done before)...
Or figue out how to do the edges at the neck and the waist (yes, by handsewing), to the sleeve, which messed me over a few times, so I was even thinking of leaving the whole thing sleeveless, but I just could not let it get the beter of me, now, could I?
The skirt was a pretty simple dtraighforward deal, compared to the bodice, I still messed it up a bit, but I am not taking it apart, but think of how to hide it.
When the whole thing was more or less put together and it really looked like a ballgown, we were screaming and jumping up and down like kids... Even though Zsófi was already late, we just had to go downstairs and make pictures of it...

It was like a time travel, and joy mixed together..
It was darned cold (especially for an off-shoulder ballgown)...
We could not miss out taking a pic in the elevator... I alone hardly fit into the elevator, Zsófi could only come in, when I took my crinolin in my neck)
And showing what is underneath.... I did said that even if I had a corset underneath, we haven't yet done other underwear so I wore the dress over whatever else I was wearing... strech leggings, handknitted socks (From DROPS Fabel of course) and a bio slipper. 

We could not wait to put up the pictures up in Facebook, where the post had a tremendous succes (I never ever had this much like on any of my posts, but who is counting LOL).
One of our dancing friend even took me to walking in a nice park :-) 
To be continued... we now need to go and do a bit of shopping and then we can start on the "real" dresses.

Sunday, March 5, 2017

Petticoat

I had my plans for a well edited blog in which I would vary the topics, so here, after the sewing would come knitting post.... only we sunk ourselves in the making of the ballgown, so much I hardly came up for air, much less preparing a blogpost. You have to make do for the second petticoat, this one I made alone, and once we determined the basic shape that works I could concentrate on adding a bit more detail. 
Like I was always enchanted by the tiny and not so tiny pintucks that decorate many of the victorian underwear, I just had to try them. And where else is better to do so than at a skort's ruffle's edge that is about 5 meters long...
Also added a narrow crochet lace to the bottom edge. All eleven meters of it. Never mind teh fact that this lace costed almost as much as the 4,5 meters (of 240 cm wide) cotton fabric the rest of teh skirt is made of.
 And here is how the whole petticoat looks like on my old dressform, who is a few size smaller than I am now (back then, when I first picked up her on thr Fort Lauderdale Flee Market for about 5 box,  my Headless Juci (pronouncet Yootzeeh) was just about my size... Oh thyroid how I love thee).
Now on to the dress, from the trial material.